“You could leave,” she said. “It’s what you do.” It was a statement, not an entreaty.

She was in the office when I went in—half-shadow, half-lamp—fingers wrapped around a paper cup that steamed perfume like a confession. Her name on the desk was a cheap brass plate, tilted and smudged: EVE HART. The kind of name that promises both sunrise and mischief. Her hair, black and pinned up with a pencil, betrayed a few rebellions that curled down and caught the light. For a second nothing existed but the two of us and the slow clock on the wall, which measured time in small, impatient ticks.

It began with a neon wink from a cracked motel sign: ROUGE INN, half the bulbs dead, the other half humming like summer flies. Rain had given up on falling and instead smeared itself thin across the highway’s shoulder, making the asphalt look like wet black glass. I pulled under the awning and let the car idle, listening to the hush of tires in the dark and the distant rattle of a freight train negotiating its stubborn way through the town.

They took us separately. Eve kept her defiance until the end—eyes like flint, jaw set like steel. She moved toward the exit with the same kind of grace she applied to all her exits: purposeful, staged, unforgettable. I watched from inside a room that felt less like a place and more like a thin shell around a story I’d told badly.